Edited Book

Classicisms in the Black Atlantic. Eds. Ian Moyer, Adam Lecznar, and Heidi Morse. Oxford University Press: Classical Presences Series (Lorna Hardwick and James I. Porter, series editors). (Forthcoming, Jan. 2020)

Journal Articles

“Feminist Receptions of Medusa: Rethinking Mythological Figures from Ovid to Louise Bogan.” Comparative Literature 70.2 (June 2018), pp. 176-193.

“Black Classical Ruins and American Memory in the Poetry of H. Cordelia Ray.” Legacy: A Journal of American Women Writers 34.1 (June 2017), pp. 53-81.

Book Chapters

“Soprano Obligato: Anna Julia Cooper’s Classical Transformations in A Voice From the South.” In African American Literature in Transition, 1880-1900, eds. Barbara McCaskill and Caroline Gebhard, Cambridge University Press. (Under contract). Invited contribution.

“Roman Studios: The Black Woman Artist in the Eternal City, from Edmonia Lewis to Carrie Mae Weems.” In Classicisms in the Black Atlantic, eds. Ian Moyer, Adam Lecznar, and Heidi Morse, Oxford University Press, pp. 133-162. (Forthcoming, Jan. 2020)

“Performing Narratives: Slave Narratives on the World Stage.” In The Wiley-Blackwell Companion to World Literature, Vol. 4, ed. Frieda Ekotto. Gen. ed. Ken Seigneurie. Wiley-Blackwell. (Forthcoming, Oct. 2019). Invited contribution.

Reference Articles

In prep.           
“Digital Resources for African American Book History Courses.” In Teaching the History of the Book, eds. Emily Todd and Matteo Pangallo, Modern Language Association. (Under contract)

“Literacy.” Oxford Bibliographies in African American Studies, ed. Gene Jarrett, Oxford University Press. http://www.oxfordbibliographies.com/view/document/obo-9780190280024/obo-9780190280024-0016.xml

“Print Culture.” Oxford Bibliographies in African American Studies, ed. Gene Jarrett, Oxford University Press. http://www.oxfordbibliographies.com/view/ document/obo-9780190280024/obo-9780190280024-0047.xml


Latin translations in Pablo Tac, Indigenous Scholar: Writing on Luiseño Language and Colonial History, c. 1840, ed. Lisbeth Haas, University of California Press.